Epic Hello (fall, 2011)
The Kings of Gloucester have developed their own sound. It’s melodic, it bops, rocks, and soothes, it’s subtly unpredictable, and its biggest feature is the double vocal attack of Renee Dupuis and Ann Marie Shamanoski….[T]he title track “Epic Hello” stands by itself as a soothing, sad, emotional journey of desire with a matching melody that is rarely stumbled upon by any rock ’n’ roll musicians...” (T-Max, The Noise-Boston).

More on Epic Hello here

Precious Stones (fall, 2010)
…Why am I thinking of Kim Wilde and “Kids in America” as I listen to the openingtrack, “The Jerker”? And is that a good thing or a bad thing? I guess it’s pretty good, at least as a signifier. The Bandit Kings are certainly not transcendent genre-redefining geniuses, but they’re obviously not dumbos—their musicianship is rhyth-mically sharp and the songs are firmly grounded in and informed by melodic values out of both old-timey country rock and modern-day idioms such as commercially oriented post-punk indie rock. It could be a dire mix in lesser hands. Done well, it is the band’s unique selling proposition. The follow-up track, “Motorcycle,” is catchy in a joyfully deterministic sort of way. “GoGoGo” is an appealingly melodic elegiac. “Twist My Arm” has echoes of the archaism of the Band but with an in-your-face rock ’n’ roll attitude. ”Threads” is an incipient classic; a truly inspired anthemic rallying-cry. “Show Me the Stars Tonight” has a countrified Yo La Tengo vibe. “Laredo” is a lovely country ballad in its own right, a welcome addition to the genre. “YTOFM” is full of almost anomalously joyful lowbrow expressiveness executed with the subtlety of high art; a fine feat. The album features inspirational tunes like “Decompression” and “Over,” as well as being jammed throughout with joie de vivre. These musicians are no ironists, camp followers, or genre clowns; rather than treating country as a bad joke, they take the genre, and their work, quite seriously indeed, enough to make even a jaded connoisseur want to really like them, and the care they have put into their debut collection is proof. I am even willing to stick my neck out onto the chopping block—something I’ve done about half a dozen times in the last twenty-six years-—and venture that these guys have the potential to be huge. Not lower-case “h” huge, but Huh-yooooge. I wish them Godspeed.” (Francis DiMenno, The Noise-Boston)

More on Precious Stones here

EP (Fall, 2010)
The Bandit Kings sound like a country band who skipped the whole Garth Brooksand Toby Keith eras and chose to listen to Patti Smith, early Linda Ronstadt, and Heart’sDreamboat Annie instead in equal doses. The sound of the duo’s female lead vocal is timeless and the songs are memorable. The arrangements are tight and there is enough rocking to make Lenny Kaye reminisce. I am wet for more… or maybe I spilled my scotch. Either way, this EP has reawakened my love of twang and the bark of an old Fender amp. For the love of Gawwwwwd, please keep making music.”

Live in Los Angeles (Spring, 2011)


Dan King
Joe and Renee
Dennis Monagle
Ann Marie